This work is a three-day live performance in a collective space. It proposes a dialogue and “gives attention” to the spectator. It talks about the politics of curiosity.
In my performance, I played with the idea of uncertainty and fear without knowing, inspired by Zen Buddhism and Tao-te Ching. Furthermore, the invisibility and visibility through sharing and communicating different qualities of drawing and dancing. Here, I bring pictures close to my body and become visible to the spectator, transforming performative action into archiving notations.
I believe that art isn’t there to explain things. It’s there to affect people and to activate the relations between the senses. As a performative communicator, I want performance space to be a place of permanent debate, and the spectator to play an active part in perception.
In my performance, I played with the idea of uncertainty and fear without knowing, inspired by Zen Buddhism and Tao-te Ching. Furthermore, the invisibility and visibility through sharing and communicating different qualities of drawing and dancing. Here, I bring pictures close to my body and become visible to the spectator, transforming performative action into archiving notations.
I believe that art isn’t there to explain things. It’s there to affect people and to activate the relations between the senses. As a performative communicator, I want performance space to be a place of permanent debate, and the spectator to play an active part in perception.